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Ęîíôåđåíöčč - SFFAN Âåņü ōåęņō 5859.38 Kb

ėāé 1995 - ņåíō˙áđü 1996

Īđåäûäķųā˙ ņōđāíčöā Ņëåäķūųā˙ ņōđāíčöā
1 ... 233 234 235 236 237 238 239  240 241 242 243 244 245 246 ... 500
 To   : J.T. Smith
 Subj : VIRTUAL SEX
ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
On (06 Jan 96) J.T. Smith wrote to ROBERT LIDGREN...

 JS> Well, I can think of instances where it wouldn't be such a bad
 JS> thing. I mean, there are people that I wouldn't mind sleeping
 JS> with, but if I did, me fiance would kill me. OTOH, in the virtual
 JS> realm, ye could experiment and nae anyone would get hurt. Only an
 JS> idea. (Besides, in the same vein, ye could possibly experiment
 JS> with ideas that ye've always wanted to try but are socially
 JS> unacceptable. In this realm, what other people don't know canna
 JS> hurt ye.)

   ...but if virtual sex is indistinguishable from actual sex, your
fiancee might be just as angry about your virtual infidelities as
she'd be about a flesh-and-blood tryst.  Possibly more so--she
probably can safely assume that no matter how much you drool over
[insert starlet of your choice here], the chances of your actually
sleeping with her in reality are pretty slim.  If she's available on a
$19.95 rental disk, though....

   And if you engage your taste for pain by sadistically tormenting
virtual victims, are you still twisted psycho?  Is it still a vicious,
evil thing to do?  Even if nobody is *really* hurt?  Even if you'd
never, ever do it to a REAL person?
   I'd say:  yes, it is still sick.  Because you're engaging a taste
for inflicting misery on others--even if those others don't exist.
   I'd also defend your right to do it since no *real* person is being
harmed.  But I wouldn't care to associate with you much.


--- PPoint 1.78
 * Origin: Folcroft Sanitarium (hsmith@cure.com) (1:105/302.47)

Ä [19] SFFAN (2:463/2.5) ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ SFFAN Ä
 Msg  : 115 of 225
 From : Mark Jones                          1:105/302.47    .ōp 09 .íâ 96 22:53
 To   : David Johnston
 Subj : Nuclear
ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
On (08 Jan 96) David Johnston wrote to Phill Ash...

 DJ> -> I'm an idealist of the highest order and it's plain to me
 DJ> -> that, due to the advances in medicine and refinement of food
 DJ> -> and fuel, humanity (as a whole) is slowly becoming stupider
 DJ> -> and weaker.
 DJ>
 DJ> Nope.  Merely more adapted to it's present environment.

   Yep.  And if civilization collapses, those of us who cannot adapt
to the new situation will die off, leaving the survivors to repopulate
the planet with better-suited descendents.  (I don't know about anyone
else, but *I* need glasses.  And I'd be dead if not for the existence
of antibiotics.)


--- PPoint 1.78
 * Origin: Folcroft Sanitarium (hsmith@cure.com) (1:105/302.47)

Ä [19] SFFAN (2:463/2.5) ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ SFFAN Ä
 Msg  : 116 of 225
 From : Mark Jones                          1:105/302.47    .cę 07 .íâ 96 13:22
 To   : Brion Lienhart
 Subj : nuclear
ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
On (05 Jan 96) Brion Lienhart wrote to The Raven...

 BL> But they won't die soon enough to prevent them from carrying the
 BL> crap outside the disposal site and screwing up the surrounding
 BL> countryside.

Keep in mind that the proposal was to mix the waste into concrete
blocks and stack them in this fenced off piece of desert.  Nobody said
the blocks had to be *small*.

Do you know what a "Hercules Lock" is?  The military uses them to keep
unauthorized people out of chemical warfare storage facilities here in
Oregon.  Its a huge piece of concrete weighing tons which fits into a
hole in the concrete pad in front of the door to the warehouse.  The
only possible way to move it is to use a crane.

Using a crane is noisy and obvious.  Terrorists trying to steal the
materials are going to find it difficult to do so without waking the
guards when they start up the crane....

And nobody who doesn't have (or doesn't know how to drive) a crane is
going to move that lock at all.

So make the radioactive waste blocks six feet on a side and stack them
like pyramids.  The morons can play on and around them all they want,
but they aren't going to strew them around the countryside.


--- PPoint 1.78
 * Origin: Folcroft Sanitarium (hsmith@cure.com) (1:105/302.47)

Ä [19] SFFAN (2:463/2.5) ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ SFFAN Ä
 Msg  : 117 of 225
 From : Mark Jones                          1:105/302.47    .îí 08 .íâ 96 18:55
 To   : Lawrence E Dunlap
 Subj : tv and sf
ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
On (04 Jan 96) Lawrence E Dunlap wrote to Kevin Ahearn...

 LE> The First Amendment is partly a problem. However, it is only a
 LE> small part of the problem.

   I don't consider it a problem--I consider it a blessing.  A
miracle, even, given the government we have.

 LE>    My issue is the manner in which the (obviously materialistic)
 LE> creative community openly admits severely educationally compromised
 LE> producers into their ranks.
 LE>
 LE> In any alternative television occupation such as media news
 LE> journalism or the technical television occupations, such analogs
 LE> of the educationally compromised producers wouldn't make the
 LE> final cut for the *first* interview.

   I think you're giving the rest of the media too much credit.  Ask
anyone who works in a given field how accurately the media reports the
reality of their field...and stand back.  And I know first-hand (as a
fire-breathing Second Amendment advocate who watches these things)
just how ignorant most of the media are about firearms.  And I'm not
talking about their political views--I'm talking about basic facts
regarding the technology, the construction, operation and and
terminology of firearms.  They haven't got a clue.

 LE>    The defectives seem to be liberally indulged in their unworkable
 LE> flights of fancy which sometimes make a great amount of unexpected
 LE> money. I suspect there are times when these are loathed when
 LE> obmoxiously insouciant with some more literate producer or outsider.

   And how does this differ from any other field, where your ability
to get results for your employers matters more to them than your
personality or education?  If my stockbroker is a barely housebroken
moron with grade-school politics...but he nonetheless can make me
richer than Croesus, I'll live with that.

 LE> What I'm wishing for is a housecleaning of educational defectives
 LE> from TV and movie studios at the hands of several fairly
 LE> visionary media executive leaders who will expect nothing less
 LE> than substantial capacity to be inspired, challenged and
 LE> motivated to produce "high quality" yet accessable prodcutions
 LE> because of their exposure to moderm and classical literature and
 LE> arts. Most of our classical literature was populist writings that
 LE> struck an echo in successive generations.

What you're wishing for is a "Culture Czar" like William Bennett--with
the political power to shoot everyone who doesn't toe the line.
That's the ONLY way you could get what you want.  And frankly, *I'd*
shoot back, if it came to that.  Thanks, but no thank.

 LE> Next is a housecleaning of advertizing agnecy executives who
 LE> lower the denominators of the concepts in TV that corrupts the
 LE> average viewer to accept literal *sewage*

Why am I reminded of the Khmer Rouge rounding up villagers and working
them in the fields all day, then shooting everyone who developed
blisters because they were obviously intellectuals (who'd never done
heavy manual labor)?

 LE>    I would prefer the literacy of British TV producers to the American
 LE> defectives. American TV houses don't expect enough of their employees

Keep in mind that they have no freedom of speech in Britain.  You're
allowed to say only as much as the gummint *lets* you say.  That's a
mighty steep price for the alleged superiority of their product.

 LE> Europeans expect greater exposure to high literature and arts to
 LE> create an understanding of the best of the breed of the
 LE> arts--leading to production tensions between high art and the
 LE> tasdte of the multitudes.

Meanwhile, BAYWATCH (created by those morons in Hollywood) is the
most-watched show IN THE WORLD--including Europe.

 LE>    Most disturbing is the low quality of commerical American TV and

...which gets exported all over the world because people WANT it.

 LE> I suggest that similar care and devotion to high art in the hands
 LE> of a sufficiently literate and developed production house could
 LE> lift sf tv as well, if a strong-spirited visionary will take
 LE> charge of a studio invest in that producer even as he clears out
 LE> deadwood educational defect8ives and brings commonly literate
 LE> producers and workers.

This is America.  Go for it.  Build a better mousetrap--and you can
become the Bill Gates of the next century.

 LE> Simply put, when you lead and train someone as though they will
 LE> and *can* become what they *could* be and be the very best at the
 LE> same time, the mentored almost certainly will rise to that level
 LE> of expectation or fall short of it because of natural
 LE> deficencies.

Or they'll turn you off and go watch Baywatch because you're boring
the pants off them with your pseudo-intellectual claptrap.  BAYWATCH
doesn't outdraw Masterpiece Theatre because they have more money--they
have more money because they outdraw Masterpiece Theatre.  They're
giving their audience what the audience wants.  (Gadzooks--letting the
unwashed masses see what they like?  Civilization falls!  Film at
11:00!)

 LE> American TV production houses lack people with the specific
 LE> literary breeding to accomplish this apart from a thorough
 LE> housecleaning with replacement with significantly improved
 LE> education and vastly changed attitude about producing low concept
 LE> TV.

So when can I expect to see you CNN cleaning house with an AK-47?


--- PPoint 1.78
 * Origin: Folcroft Sanitarium (hsmith@cure.com) (1:105/302.47)

Ä [19] SFFAN (2:463/2.5) ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ SFFAN Ä
 Msg  : 118 of 225
 From : Jan vantEnt                         2:512/1.1       .îí 08 .íâ 96 07:58
 To   : Marco Catalano
 Subj : Space: Above & Beyond
ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
.TID: FastEcho 1.30/g 4253
Hi Marco, in a message of <5 Jan 95> you mentioned to Samantha Dobbs:

 >  SD> Are there any fan out there?
 MC> Dunno yet, Samantha.
 MC> The pilot of SAAB is airing in the Netherlands tomorrow.

Yah, seen it, and found it rather disappointing.



---
 * Origin: The Ent. - Capelle a/d IJssel, Netherlands (2:512/1.1)

Ä [19] SFFAN (2:463/2.5) ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ SFFAN Ä
 Msg  : 119 of 225
 From : David Johnston                      1:342/14        .åō 11 .íâ 96 01:12
 To   : Phill Ash
 Subj : F&sf???
ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
->       No really...
->       Have *you* heard anything confirming or denying the return of
->       'Sliders'?

From "Previews" (a comic book distributors magazine):

   "As of this writing, the Sliders TV show has been scheduled to return
as a mid season replacement on Fox, starting sometime in early '96.
Stay updated and in tune on Slider's continuity as the (comic book)
miniseries picks up where the TV show leaves off.  Don't get left out of
the excitement and miss this landmark miniseries..."

--- PCBoard (R) v15.21/100
 * Origin: Freddy's Place - Edm. AB - 28.8K (403) 456-4241 (1:342/14)

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