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Project Gutenberg's Encyclopedia, vol. 1 ( A - Andropha

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are thoroughly national in spirit and local colouring. 

William Allingham: a Diary (1907), edited by Mrs Allingham 
and D. Radford, contains many interesting reminiscences 
of Tennyson, Carlyle and other famous contemporaries. 

ALLISON, WILLIAM BOYD (1829-1908), American legislator, was 
born at Perry, Ohio, on the 2nd of March 1829.  Educated at 
Allegheny and Western Reserve Colleges, he studied law, and 
practised in Ohio until 1857.  In that year he settled in 
Dubuque, Iowa, where he took a prominent part in Republican 
politics; and in 1860 he was a delegate to the national 
convention at Chicago which nominated Abraham Lincoln for the 
presidency.  In 1861 he was appointed a member of the staff 
of Governor Samuel J. Kirkwood (1813-1894), and was of great 
service in the work of equipping and organizing the Iowa 
volunteers.  From 1863 until 1871 he served with distinction 
in the House of Representatives; in 1873 he was elected to the 
United States Senate, and re-elected in 1878, 1884, 1890, 1896 and 
1902.  Here he became one of the highest authorities on questions 
connected with finance, and from 1877 he was a member of the 
Senate committee on finance.  In 1881-1893, and again from 
1895, he was chairman of the committee on appropriations, in 
which position he had great influence.  He declined offers of 
the secretaryship of the treasury made to him by Presidents 
Garfield and Harrison.  He was a prominent candidate for the 
presidential nomination in the Republican national conventions 
of 1888 and 1896.  In 1892 he was chairman of the American 
delegation to the International Monetary Conference at 
Brussels.  He died at Dubuque, Iowa, on the 4th of August 1908. 

ALLITERATION (from Lat. ad, to, and littera, letter), the 
commencing of two or more words, in close juxtaposition, with 
the same sound.  As Milton defined rhyme to be ``the jingling 
sound of like endings,'' so alliteration is the jingle of like 
beginnings.  All language has a tendency to jingle in both 
ways, even in prose.  Thus in prose we speak of ``near and 
dear,'' ``high and dry,'' ``health and wealth.'' But the 
initial form of jingle is much more common--``safe and sound,'' 
``thick and thin,'' ``weal or woe,'' ``fair or foul,'' ``spick 
and span,'' ``fish, flesh, or fowl,'' ``kith and kin.'' The 
poets of nearly all times and tongues have not been slow 
to seize upon the emphasis which could thus be produced. 

Although mainly Germanic in its character, alliteration 
was known to the Latins, especially in early times, and 
Cicero blames Ennius for writing ``O Tite tute, Tati, 
tibi tanta, tyranne, tulisti.'' Lucretius did not disdain 
to employ it as an ornament.  We read in Shakespeare:-- 
    ``Full fathom five thy father lies:
      Of his bones are corals made.''
In Pope:-- 
    ``Here files of pins extend their shining rows,
      Puffs, powders, patches, bibles, billet-doux.',
In Gray:-- 
    ``Weave the warp and weave the woof,
      The winding-sheet of Edward's race.''
In Coleridge:- 
    ``The fair breeze blew, the white foam flew,
        The furrow followed free:
      We were the first that ever burst
        Into that silent sea.''
Churchill describes himself, in his Prophecy of Famine, as one 
    ``Who often, but without success, had prayed
      For apt alliteration's artful aid,''--
an example which is itself a proof of his failure; for 
alliteration is never effective unless it runs upon consonants. 

As thus far considered, alliteration is a device wholly 
dependent on the poet's fancy.  He may use it or not, or 
use it much or little, at his pleasure.  But there is an 
extensive range of Teutonic poetry whose metrical laws 
are entirely based on alliteration.  This, for example, is 
the principle on which Icelandic verse is founded; and we 
have a yet nearer interest in it, because it furnishes the 
key to Anglo-Saxon and a large portion of early English 
verse.  For a specimen take the following lines, the spelling 
modernized, from the beginning of Piers the Plowman:-- 
    ``But in a May morning | on Malvern hills,
      Me befel a ferly | of fairy methought;
      I was weary of wandering | and went me to rest
      Under a broad bank | by a burn-side;
      And as I lay and leaned | and looked on the waters,
      I slumbered in a sleeping | it sounded so merry.''
The rule of this verse is indifferent as to the number of 
syllables it may contain, but imperative as to the number of 
accented ones.  The line is divided in the middle by a pause, 
and each half ought to contain two accented syllables.  Of 
the four accented syllables, the first three should begin with 
the same letter; the fourth is free and may start with any 
letter.  Those who wish for a more minute analysis of the 
laws of alliterative verse, as practised by the Anglo-Saxon 
and early English poets, may consult an exhaustive essay 
on the subject by Professor W. W. Skeat, prefixed to vol. 
iii. of Bishop Percy's Folio Manuscript; only the reader 
must be on his guard against an error which pervades it, 
and which this able writer seems to have derived from Rask.  
The question arises--What is the nature of the cadence in 
alliterative verse? Now all metrical movement is of two kinds, 
according as the beat or emphasis begins the movement or ends 
it.  If the beat is initial, we say in classical language that 
the movement is trochaic or dactylic, according to the number 
of its syllables; and if the beat is final, we in like manner 
say that the movement is iambic or anapaestic.  Skeat and many 
others object with some reason to use the classical terms, 
and therefore brushing them aside, let us put the question 
in the simplest form--Has the movement of alliterative verse 
got the initial or the final beat? In the middle of the 18th 
century Bishop Percy decided this question with sufficient 
accuracy, though he mixed up his statement with a blunder 
which it is not easy to account for.  He points out how the 
poets began to introduce rhyme into alliterative verse, until 
at length rhyme came to predominate over alliteration, and 
``thus was this kind of metre at length swallowed up and lost 
in the common burlesque Alexandrine or anapaestic verse, as 
    ``A cobbler there was, and he lived in a stall.''
Percy made a serious mistake when he gave the name of Alexandrine 
to anapaestic verse; but he is quite right in his general 
statement that alliterative verse became lost in a measure 
the movement of which had the final beat.  Conybeare has 
stated the fact still more accurately. ``In the Saxon poetry 
a trochaic character is predominant.  In Piers the Plowman 
there is a prevailing tendency to an anapaestic cadence.'' 
It is the result of a change in the language--the loss of 
inflexion.  Take the word man. The genitive in Saxon would 
be mannes, a trochee; in English, of man, an iambus.  
The tendency of the language was thus to pass from a metrical 
movement, in which the beat was initial, to one in which it was 
final.  It may therefore be quite right to speak of Anglo-Saxon 
alliterative poetry as trochaic or dactylic, and quite wrong to 
apply the same terms to the cadence of our later alliterative 
verse.  And this is precisely the error into which Skeat has 
fallen.  He says--``Lines do not always begin with a loud 
syllable, but often one or two and sometimes (in early English 
especially) even three soft syllables precede it.  These 
syllables are necessary to the sense, but not to the scanision 
of the line.'' That is just the point at issue.  By leaving 
out of account the light syllable or syllables at the beginning 
of a line, and taking his start from the first syllable that 
has the alliterative beat, Skeat may certainly prove that 
all the later alliterative poetry has a movement of initial 
beat.  But English ears will not submit to this rule.  It is 
those light syllables of no account which have altered the rhythm 
of English descant from one of initial to one of final beat. 

ALLIUM (Lat. for ``garlic''), a genus of plants, natural order 
Liliaceae, with about 250 species (seven of which occur in 
Britain), found in Central and South Europe, North Africa, the 
dry country of West and Central Asia, and North and Central 
America.  The plants are bulbous herbs, with flat or rounded 
radical leaves, and a central naked or leafy stem, bearing a 
head or umbel of small flowers, with a spreading or bell-shaped 
white, pink, red, yellow or blue perianth.  Several species 
afford useful foods, such as onion (Allium Cepa), leek (A. 
Porrum), shallot or eschallot (A. ascalonicum), garlic (A. 
sativum), and chives (A. schoenoprasum.) A few species are 
cultivated as border plants; such are A. Moly, an old garden 
plant with bright yellow flowers, and A. neapolitanum, the 
well-known white-flowered species, both natives of southern Europe. 

ALLIX, PIERRE (1641-1717), French Protestant divine, was born at 
Alencon.  He was pastor first at St Agobile in Champagne, and 
then at Charenton, near Paris.  The revocation of the edict of 
Nantes in 1685 compelled him to take refuge in London, where, 
under the sanction of James II., he opened a church for the French 
exiles.  His reputation for learning was such as to obtain for 
him, soon after his arrival, the degree of doctor of divinity 
from both universities, and in 1690 he received from Bishop 
Burnet the more substantial honour of the treasurership and 
a canonry in Salisbury Cathedral.  He died at London in March 
1717.  The works of Allix, which are numerous, are chiefly of 
a controversial and apologetic character, and must be used with 
caution.  In opposition to Bossuet he published Some Remarks 
upon the Ecclesiastical History of the Ancient Churches 
of Piedmont (1690), and Remarks upon the Ecclesiastical 
History of the Ancient Churches of the Albigenses (1692), 
with the idea of showing that the Albigenses were not 
Manichaeans, but historically identical with the Waldenses. 

ALLMAN, GEORGE JAMES (1812-!898), British biologist, was born 
in Cork, Ireland, in 1812, and received his early education at 
the Royal Academical Institution, Belfast.  For some time he 
studied for the Irish bar, but ultimately gave up law in favour 
of natural science.  In 1843 he graduated in medicine at Dublin, 
and in the following year was appointed professor of botany 
in that university, succeeding his namesake, William Allman 
(1776-1846).  This position he held for about twelve years 
until he removed to Edinburgh as regius professor of natural 
history.  There he remained till 1870, when considerations of 
health induced him to resign his professorship and retire to 
Dorsetshire, where he devoted himself to his favourite pastime of 
horticulture.  The scientific papers which came from his pen are 
very numerous.  His most important work was upon the gymnoblastic 
hydrozoa, on which he published in 1871-1872, through the Ray 
Society, an exhaustive monograph, based largely on his own 
researches and illustrated with drawings of remarkable excellence 
from his own hand.  Biological science is also indebted to 
him for several convenient terms which have come into daily 
use, e.g. endoderm and ectoderm for the two cellular 
layers of the body-wall in Coelenterata.  He became a fellow 
of the Royal Society in 1854, and received a Royal medal in 
1873.  For several years he occupied the presidential chair 
of the Linnaean society, and in 1879 he presided over the 
Sheffield meeting of the British Association.  He died 
on the 24th of November 1898 at Parkstone, Dorsetshire. 

ALLOA, a municipal and police burgh and seaport of 
Clackmannanshire, Scotland.  It is situated on the north 
bank of the Forth, 32 m. from Edinburgh by the North British 
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