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Project Gutenberg's Encyclopedia, vol. 1 ( A - Andropha

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products, and carries on shipbuilding, sardine-fishing and 
coral-fishing.  Its exports include timber, citrons, skins, 
chestnuts and gallic acid.  The port is accessible by the largest 
ships, but its accommodation is indifferent.  In 1904 there 
entered 603 vessels with a tonnage of 202,980, and cleared 
608 vessels with a tonnage of 202,502.  The present town of 
Ajaccio lies about two miles to the south of its original 
site, from which it was transferred by the Genoese in 1492.  
Occupied from 1553 to 1559 by the French, it again fell to the 
Genoese after the treaty of Cateau Cambresis in the latter 
year.  The town finally passed to the French in 1768.  Since 
1810 it has been capital of the . department of Corsica. 

AJAIGARH, or ADJYGURH, a native state of India, in 
Bundelkhand, under the Central India agency.  It has an 
area of 771 sq. m., and a population in 1901 of 78,236.  
The chief. who is a Bundela Rajput, bears the title of sawai 
maharaja.  He has an estimated revenue of about L. 15,000, and 
pays a tribute of L. 460.  He resides at the town of Naushahr, 
at the foot of the hill-fortress of Ajaigarh, from which the 
state takes its name.  This fort is situated on a very steep 
hill, more than 800 ft. above the town of the same name; 
and contains the ruins of temples adorned with elaborately 
carved sculptures.  It was captured by the British in 
1809.  The town is subject to malaria.  The state suffered 
severely from famine in 1868-1869, and again in 1896-1897. 

AJANTA (more properly AJUJNTHI), a village in the 
dominions of the Nizam of Hyderabad in India (N. lat. 20 deg.  32' 
by E. long. 75 deg.  48'), celebrated for its cave hermitages and 
halls.  The caves are in a wooded and rugged ravine about 3 1/2 
m. from the village.  Along the bottom of the ravine runs the 
river Wagura, a mountain stream, which forces its way into 
the valley over a bluff on the east, and forms in its descent 
a beautiful waterfall, or rather series of waterfalls, 200 ft. 
high, the sound of which must have been constantly audible to 
the dwellers in the caves.  These are about thirty in number, 
excavated in the south side of the precipitous bank of the ravine, 
and vary from 35 to 110 ft. in elevation above the bed of the 
torrent.  The caves are of two kinds---dwelling-halls and 
meeting-halls.  The former, as one enters from the pathway 
along the sides of the cliff, have a broad verandah, its roof 
supported by pillars, and giving towards the interior on to 
a hall averaging in size about 35 ft. by 20 ft.  To left and 
right, and at the back, dormitories are excavated opening 
on to this hall, and in the centre of the back, facing the 
entrance, an image of the Buddha usually stands in a niche.  
The number of dormitories varies according to the size of the 
hall, and in the larger ones pillars support the roof on all 
three sides, forming a sort of cloister running round the 
hall.  The meeting-halls go back into the rock about twice as far 
as the dwelling-halls; the largest of them being 94 1/2 ft. from 
the verandah to the back, and 41 1/4 ft. across, including the . 
cloister.  They were used as chapter-houses for the meetings 
of the Buddhist Order.  The caves are in three groups, the 
oldest group being of various dates from 200 B.C. to A.D. 
200, the second group belonging, approximately, to the 
6th, and the third group to the 7th century A.D. Most of 
the interior walls of the caves were covered with fresco 
paintings, of a considerable degree of merit, and somewhat 
in the style of the early Italian painters.  When first 
discovered, in 1817, these frescoes were in a fair state of 
preservation, but they have since been allowed to go hopelessly to 
ruin.  Fortunately, the school of art in Bombay, especially 
under the supervision of J. Griffiths, had copied in colours 
a number of them before the last vestiges had disappeared, 
and other copies of certain of the paintings have also been 
made.  These copies are invaluable as being the only evidence 
we now have of pictorial art in India before the rise of 
Hinduism.  The expression ``Cave Temples'' used by Anglo-Indians 
of such halls is inaccurate.  Ajanta was a kind of college 
monastery.  Hsuan Tsang informs us that Dinnaga, the 
celebrated Buddhist philosopher and controversialist, author 
of well-known books on logic, resided there.  In its prime 
the settlement must have afforded accommodation for several 
hundreds, teachers and pupils combined.  Very few of the 
frescoes have been identified, but two are illustrations 
of stones in Arya Sura's Jataka Mala, as appears 
from verses in Buddhist Sanskrit painted beneath them. 

See J. Burgess and Bhagwanlal lndraji, Inscriptions from 
the Cave Temples of Western India (Bombay, 1881); J. 
Fergusson and L. Burgess, Cave Temples of India (London, 
1880); J. Griffiths, Paintings in the Buddhist Cave Temples 
of Ajanta (London, 2 vols., 1896--1897). (T. W. R. D.) 

AJAX (Gr. Aias), a Greek hero, son of Oileus, king of 
Locris, called the ``lesser'' or Locrian Ajax, to distinguish 
him from Ajax, son of Telamon.  In spite of his small stature, 
he held his own amongst the other heroes before Troy; he was 
brave, next to Achilles in swiftness of foot and famous 
for throwing the spear.  But he was boastful, arrogant and 
quarrelsome; like the Telamonian Ajax, he was the enemy of 
Odysseus, and in the end the victim of the vengeance of Athene, 
who wrecked his ship on his homeward voyage (Odyssey, iv. 
499).  A later story gives a more definite account of the offence 
of which he was guilty.  It is said that, after the fall of 
Troy, he dragged Cassandra away by force from the statue of 
the goddess at which she had taken refuge as a suppliant, and 
even violated her (Lycophron, 360, Quintus Smyrnaeus xiii. 
422).  For this, his ship was wrecked in a storm on the coast 
of Euboea, and he himself was struck by lightning (Virgil, 
Aen. i. 40). He was said to have lived after his death in the 
island of Leuke.  He was worshipped as a national hero by the 
Opuntian Locrians (on whose coins he appears), who always left 
a vacant place for him in the ranks of their army when drawn 
up in battle array.  He was the subject of a lost tragedy by 
Sophocles.  The rape of Cassandra by Ajax was frequently 
represented in Greek works of art, for instance on the chest 
of Cypselus described by Pausanias (v. 17) and in extant works. 

AJAX, son Of Telamon, king of Cyprus, a legendary hero of 
ancient Greece.  To distinguish him from Ajax, son of Oileus, 
he was called the ``great'' or Telamonian Ajax.  In Homer's 
Iliad he is described as of great stature and colossal 
frame, second only to Achilles in strength and bravery, and 
the ``bulwark of the Achaeans.', He engaged Hector in single 
combat and, with the aid of Athene, rescued the body of Achilles 
from the hands of the Trojans.  In the competition between 
him and Odysseus for the armour of Achilles, Agamemnon, at 
the instigation of Athene, awarded the prize to Odysseus.  
This so enraged AJax that it caused his death (Odyssey, xi. 
541).  According to a later and more definite story, his 
disappointment drove him mad; he rushed out of his tent and 
fell upon the flocks of sheep in the camp under the impression 
that they were the enemy on coming to his senses, he slew 
himself with the sword which he had received as a present from 
Hector.  This is the account of his death given in the Ajax 
of Sophocles (Pindar, Nemea, 7; Ovid, Met. xiii. 1). From 
his blood sprang a red flower, as at the death of Hyacinthus, 
which bore on its leaves the initial letters of his name 
AI, also expressive of lament (Pausanias i. 35. 4). His ashes 
were deposited in a golden urn on the Rhoetean promontory 
at the entrance of the Hellespont.  Like Achilles; he is 
represented as living after his death in the island of Leuke 
at the mouth of the Danube (Pausanias iii. 19. 11). Ajax, 
who in the post-Homeric legend is described as the grandson of 
Aeacus and the great-grandson of Zeus, was the tutelary hero 
of the island of.Salamis, where he had a temple and an image, 
and where a festival called Aianteia was celebrated in his 
honour (Pausanias i. 35). At this festival a couch was set up, 
On which the panoply of the hero was placed, a practice which 
recalls the Roman lectisternium. The identification of Ajax 
with the family of Aeacus was chiefly a matter which concerned 
the Athenians, after Salamis had come into their possession, 
on which occasion Solon is said to have inserted a line in 
the Iliad (ii. 557 or 558), for the purpose of supporting 
the Athenian claim to the island.  Ajax then became an Attic 
hero; he was worshipped at Athens, where he had a statue in the 
market-place, and the tribe Aiantis was called after his name. 

Many illustrious Athenians---Cimon, Miltiades, Alcibiades, 
the historian Thucydides---traced their descent from Ajax. 

See D. Bassi, La Leggenda di Aiace Telamonio (1890); P. 
Girard, ``Ajax, fils de Telamon,'' 1905, in Revue des 
etudes grecques, tome 18; J. Vurtheim, De Ajacie Origine, 
Cultu, Patria (Leiden, 1907), accord. ing to whom he and Ajax 
Oileus, as depicted in epos, were originally one, a Locrian 
daemon somewhat resembling the giants.  When this spirit put on 
human form and became known at the Saronic Gulf, he developed 
into the ``greater'' Ajax, while among the Locrians he remained 
the ``lesser.'' In the article GREEK ART fig. 13 (from a 
black-figured Corinthian vase) represents the suicide of Ajax. 

AJMERE, or AJMER, a city of British India in Ra)putana. 
which gives its name to a district and also,to a petty 
province called Ajmere-Meirwara.  It is situated in 26 deg.  
27, N. lat. and 74 deg.  44, E. long., on the lower slopes 
of Taragarh hill, in the Aravalli mountains.  To the 
north of the city is a large artificial lake called the 
Anasagar, whence the water supply of the place is derived. 

The chief object of interest is the darga, or tomb of a 
famous Mahommedan saint named Mayud-uddin.  It is situated at 
the foot of the Taragarh mountain, and consists of a block of 
white marble buildings without much pretension to architectural 
beauty.  To this place the emperor Akbar, with his empress, 
performed a pilgrimage on foot from Agra in accordance 
with the terms of a vow he had made when praying for a 
son.  The large pillars erected at intervals of two miles the 
whole way, to mark the daily halting-place of the imperial 
pilgrim, are still extant.  An ancient Jain temple, now 
converted into a Mahommedan mosque, is situated on the lower 
slope of the Taragarh hill.  With the exception of that part 
used as a mosque, nearly the whole of the ancient temple 
has fallen into ruins, but the relics are not excelled in 
beauty of architecture and sculpture by any remains of Hindu 
art.  Forty columns support the r00f, but no two are alike, 
and great fertility of invention is manifested in the 
execution Of the ornaments.  The summit of Taragarh hill, 
overhanging Ajmere, is crowned by a foot, the lofty thick 
battlements of which run along its brow and enclose the 
table-land.  The walls are 2 m. in circumference, and the 
fort can only be approached by steep and very roughly paved 
planes, commanded by the fort and the outworks, and by the 
hill to the west.  On coming into the hands of the English, 
the fort Was dismantled by order of Lord William Bentinck, 
and is now converted into a sanatorium for the troops at 
Xasirabad.  Ajmere was founded about the year 145 A.p. by 
AJi, a Chauhan, who established the dynasty which continued 
to rule the country (with many vicissitudes of fortune) while 
the repeated waves of Mahommedan invasion swept over India, 
until it eventually became an appanage of the crown Of Delhi in 
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