"Time in the Valley" The Hudson Review v. 37 (Winter
1984/1985), pages 537-548
"A Trip to the Head" originally published in Quark 1
1970; reprinted in The Wind's Twelve Quarters, 1975
"Unlocking the Air" copyright 1990; first appeared in
Playboy; republished in Unlocking the Air and Other Stories
(1996)
"Vaster Than Empires and More Slow" originally published in
New Dimensions 1, 1971; republished in The Wind's Twelve
Quarters, 1975
"The Visionary" Omni (New York, NY) v. 7 (October
1984) pages 100-102+
"The Wife's Story" Michael Bishops and Ian Watson's
Changes: Stories of Metamorphosis, 1982
"Winter's King" originally published in Orbit 5,
1969; republished in The Wind's Twelve Quarters, 1975. (place
further developed in The Left Hand of Darkness)
"The Wise Woman" copyright 1995; first broadcast on The
Sound of Writing; printed in Unlocking the Air and Other
Stories
"The Word of Unbinding" originally published in
Fantastic 1964; reprinted in The Wind's Twelve Quarters,
1975. (place further developed in Earthsea trilogy)
"Young Woman in a Garden" in Asimov's
------------------------------------------------------------------
Bibliography: Fiction (by Universe)
Hainish
City of Illusions
The Dispossessed
Four Ways to Forgiveness
The Left Hand of Darkness
Planet of Exile
Rocannon's World
The Word for World is Forest
EarthSea
A Wizard of Earthsea
The Tombs of Atuan
The Farthest Shore
Tehanu: The Last Book of Earthsea
Orsinia
Orsinian Tales
Malafrena
------------------------------------------------------------------
Bibliography: Non-Fiction / Essays
Dancing at the Edge of the World: Thoughts on Words,
Women, Places
The Language of the Night: Essays on Fantasy and Science
Fiction
----------------------------------------------------------
Published Interviews
"Back to the Present." People Weekly v. 36 (November 18
1991), pages 69, ...
"Coming Back from the Silence." Whole Earth Review
Spring 1995, pages 76-83. (Excerpted from Talking on the Water,
1994, Jonathan White, Sierra Club books.)
"What Writers Are Reading." Ms. v. 2 (July / August
1991), pages 82-85.
An Interview with
Ursula Le Guin A.D. 1988 by Slowek Wojtowicz
--------------------------------------------------------
Performances of Le Guin's
Work:
"The Lathe of Heaven" was made into a PBS movie. No, I don't
know how to get it. Contact your local public library, see if they have
it; if not, see if they can get it on InterLibrary Loan; or contact your
PBS station and see if they know a PBS archive or producer. If you do
find out let me know! This is one of my most frequently asked questions
and I just haven't had a chance to do the research yet.
"A Wizard of Earthsea" being made into a movie ? (1995)
"Intracom" and "Gwilan's Harp" Audio Recording. Recorded in
1977 at Recording Associates, Portland, Oregon. 1 hour and 15 minutes.
Abridged with music. Read by Le Guin.
The Left Hand of Darkness performed at the Lifeline
Theature, Chicago, 1994-1995.
--------------------------------------------------------------
Reviews & Critical Studies
(of, not by, Le Guin)
This isn't even remotely close to complete. Also check out
theuncompiled listing of papers on feminist science fiction;
there are some Le Guin papers there, too. Sometime I hope to have
these listings in a database and neatly organized and
cross-referenced. Until then this may be a place to get started.
Le Guin Bibliography.
This bibliography is extraordinarily comprehensive. It can be
purchased for $12 from the editor:
David Bratman
P.O. Box 662
Los Altos CA 94023
d.bratman@genie.com
Paul Brians' Study Guide on The Dispossessed
Reviews from The Good Reading Guide
Reviews
from The Good Reading Guide
Le Guin and Anarchism (coming soon)
Berkley, Miriam. "Ursula K. Le Guin." Publishers
Weekly v. 229 (May 23 1986), page 72.
Bratman, David S., compiled. "Ursula K. Le Guin: A
Primary Bibliography", Preliminary edition, February 1995. 42
pages. Contactd.bratman@genie.com for more information...
Cummins, Elizabeth. Understanding Ursula K. LeGuin.
Revised Edition. (Columbia, South Carolina: University of South Carolina
Press, 1993.) (Understanding Contemporary American Literature).
De Bolt, Joe, editor. Ursula K. Le Guin: Voyager to Inner
Lands and to Outer Space. Kennikat Press, 1991.
Fadiman, Anne. "Ursula K Le Guin: Voyager to the Inner Land."
Life v. 9 (April 1986), pages 23-25.
Fitting, Peter. "The Turn from Utopia in Recent Feminist
Fiction." in Libby Falk Jones, Sarah Webster Goodwin, editors,
Feminism, Utopia, and Narrative. Knoxville: University of
Tennessee Press, 1990. pages 141-158. about: Margaret Atwood's The
Handmaid's Tale, Suzette Haden Elgin's Native Tongue, Zoe Ann
Fairbairns Benefits, and Ursula K Le Guin's Always Coming
Home
Hatfield, Len. "From Master to Brother: Shifting the Balance
of Authority in Ursula K. Le Guin's Farthest Shore and
Tehanu." Children's Literature v. 21 (1993). Response by
Perry Nodelman in Children's Literature 23 (1995).
Keulen, Margarete. Radical Imagination: Feminist
Conceptions of the Future in Ursula Le Guin, Marge Piercy, and Sally
Miller Gearhart.
Klarer, Mario. "Gender and the `Simultaneity Principle':
Ursula Le Guin's The Dispossessed." Mosaic (Winnipeg,
Manitoba) v. 25 (Spring 1992), pages 107-121.
Lem, Stanislaw. SF Commentary 24, November 1971, pages
22-24. Review of Le Guin's The Left
Hand of Darkness. Originally published in Quarber Merkur no. 25
and translated from the German by Franz Rottensteiner and revised by Bruce
Gillespie.
McKinley, Robin. "Book Review: Tehanu: The Last Book of
Earthsea." The New York Times Book Review v. 95 (May 20 1990)
page 38.
Parrinder, P. "The Alien Encounter: Or, Ms. Brown and Mrs. Le
Guin." Science Fiction Studies Volume 3, Part 1. (1976).
Reprinted in P. Parrinder (ed.) SF: A Critical Guide: London:
Longman, 1979: pages 148-161.
Pegg, Barry. "Down to Earth: Terrain, Territory, and the
Language of Realism in Ursula K. Le Guin's The Left Hand of
Darkness and The Dispossessed." Michigan Academician
XXVII Number 4 (August 1995), pages 481-492.
Rhodes, Jewel P. "Ursula K. Le Guin's The Left Hand of
Darkness: Androgyny and the Feminist Utopian vision." Women and
Utopia. Ed. Marleen Barr and Nicholas O. Smith. New York:
University Press of America, 1983.
Science Fiction Studies Volume 2, Part 3. Number 7.
(November 1975). Special Issue, entitled "The Science Fiction of Ursula
K. Le Guin."
Spector, Judith A. "The Functions of Sexuality in the Science
Fiction of Russ, Piercy, and Le Guin." in Donald Palumbo, editor,
Erotic Universe: Sexuality and Fantastic Literature. New York:
Greenwood, 1986. pages 197-207.
Welton, Ann. "Earthsea Revisited: Tehanu and Feminism (Ursula
Le Guin has never shrunk from addressing large issues)" Voice of Youth
Advocates Volume 14 (April 1991) pages 14-16. Related: Miles,
Margaret A., Discussion, Volume 14, December 1991, pages 301-302.
------------------------------------------------------------------------
Awards and Honors
Fulbright fellowship 1953
Boston Globe-Horn Book Award 1968
A Wizard of Earthsea
Lewis Carroll Shelf Award 1979
A Wizard of Earthsea
Horn Book honor list citation
A Wizard of Earthsea
American Library Association Notable Book citation
A Wizard of Earthsea
Howard Vursell Award of the American Academy of Arts and Letters
Hugo Awards (5)
Kafka Award
National Book Award
Nebula Awards (5)
1995 Nebula for novelette: "Solitude"
Quoted at Science Fiction
Weekly (5/6/96): "I'm amazed," Le Guin said during her acceptance
speech. "It's such an introverted story and you're such a group of
extroverts."
Pushcart Prize
World Fantasy Award. 1995 Award for Live Achievement.
------------------------------------------------------------------
This page is maintained at
http://www.uic.edu/~lauramd/sf/leguin/index.html
by Laura Quilter. Last updated 5/28/96.
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Msg : 252 of 271
From : Serge Berezhnoy 2:5030/207.2 .ят 14 .юн 96 00:38
To : Alexander Lukashin
Subj : .ривет
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.Newsgroups: ru.sf.news
.Subject: Привет
.Date: Fri, 14 Jun 1996 00:38:02 -0400
.X-Newsreader: GoldED 2.50+
Привет, Alexander!
Tuesday June 11 1996 07:59, Alexander Lukashin wrote to Serge Berezhnoy:
Собственно, не важно, ЧТО именно он wrote, а важно, что именно ОH.
Давненько не слышно было, однако! Расскажи, как дела.
Удачи!
Сергей
... Почему бы благородному дону не полетать на вертолете?
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Msg : 253 of 271
From : Serge Berezhnoy 2:5030/207.2 .ят 14 .юн 96 00:40
To : Nikolay Borovkov
Subj : эсли на то пошло
ДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДДД
.Newsgroups: ru.sf.news
.Subject: эсли на то пошло
.Date: Fri, 14 Jun 1996 00:40:34 -0400
.X-Newsreader: GoldED 2.50+
Привет, Nikolay!
Tuesday June 11 1996 15:44, Nikolay Borovkov wrote to Like&Lee:
> Вот тут я встречаю иногда выражение туборг-реализм, так это реклама
> известного сорта пива или все-таки направление в фантастике?
>=-=-=-=-=-=-=-=-= Rusfnews.Faq =-=-=-=-=-=-=-=<
1.7. ТУРБОРЕАЛИЗМ
Т.- вполне прижившееся самоназвание направления в отечественной
литературной фантастике. Т. пытается (отчасти из эстетических, о
в основном из литературно-политических соображений) отмежеваться
от фантастики как таковой - хотя традиционного реализма он также
чужд. Т. можно определить как философско-психологическую
интеллектуальную фантастику, свободно обращающуюся с реальностями.
В каком-то смысле, Т. суть дальнейшее развитие представления о
"реалистической фантастике", заложенного Стругацкими. К
"турбореалистам" относятся такие авторы, как Андрей Столяров,
Андрей Лазарчук, Виктор Пелевин, в какой-то степени Михаил
Веллер. В близкой к Т. манере работают Владимир Покровский,
Эдуард Геворкян и Андрей Саломатов. Поскольку термин пока не
устоялся, в число "турбореалистов" периодически попадают авторы
"четвертой волны", работающие в других эстетических пространствах
- например, Михаил Успенский, Евгений Лукин, Вячеслав Рыбаков
или Борис Штерн.
Т. характеризуется его теоретиками по таким отличительным чертам,
как "надтекст", "эпикатастрофичность" и "метарелигия".
Суть принципа "надтекста" - представление о литературе в целом
как об информационной волне, катящейся из прошлого в будущее. Для
того, чтобы сказать что-то действительно новое, автор должен
находиться ВПЕРЕДИ этой волны, писать с опережением собственного
времени. Достигается это повышенной смысловой и эмоциональной
насыщенностью текстов произведений Т., из чего естественным
образом проистекает множественность трактовок. Принцип
